On
Tuesday we watched the brief 5-minute video of Gerald Vizenor discussing the
Trickster and oral tradition as a primary literary source. He clarified that
myths have no pattern, but involve a lasting need to tell stories that are
intended to bring people together through hope and love and a brilliant act of
imagination. After watching the short film, we broke up into groups, where we
discussed our assigned sections. My group had three very different stories that
involved the skeleton man and because we ran out of time for my group to speak,
I wanted to point out our observations, because our three stories didn’t
necessarily fall into the either category of agreeing with Vizenor or not.
Our
stories had no meaning or morals and all abruptly ended, similar to other
trickster tales that we have been reading in the last few weeks. One of the
dissimilarities we pointed out was that our main figure (the skeleton man) was
not an animal like we have normally come across in previous tales. In addition,
our trickster was one-dimensional, focusing on their desires only and lacking
personality.
The
one story that stood out the most in our eyes was How Masaaw Slept With A Beautiful Maiden, which had no foundation,
along with being very disturbing. Many of the other trickster tales we’ve read
have told stories that explain how things came to be or a moral, but this one
tale had no aim. The skeleton man took over a grandmother’s body and proceeded
to trick the granddaughter to sleep with him, and then returned the grandmother
to her body. The grandmother and granddaughter then discover they’ve been
tricked and the story ends.
Vizenor
mentioned that trickster tales never contained a cruel or unkind trickster, but
this story discards that thought because of the actions of the skeleton man on
the granddaughter. Generally trickster tales are told to give meaning to
contradictions, love, mortality, and many other uncertainties, but this story,
along with the other two in our assigned section, lacked significance or
meaning.
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